Articles
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The “succhi d’erba” (painted tapestries) of the Arte della Seta Lisio Foundation: restoration
Simona Lombardi e Laura Bertuzzi
In memory of Flavia Fiori, insights from the journey of her extensive bibliography. An applied research methodology: damasks in the Novara area
Paola Marabelli
Contrast and asymmetry. Lorena Giannini’s clothes
Anna Maria Colombo
The Annunciation: Iconography of a ‘Succo d’Erba’
Simona Lombardi
The Historic Banners of the Friendly Societies. Restoration Reports
Laboratorio di Restauro Tessili Antichi Abbazia “Mater Ecclesiæ”, Isola San Giulio - Orta
The restoration of the processional banner of the Blessed Sacrament of Moie (Ancona)
Simona Lombardi, Adele Olivieri e Melissa Ceriachi
Reweaving the “Lorenzetti” fabric and the new costume for the Captain of the People in Orvieto
Paola Marabelli
Giacomo Borlone de’ Buschis. A preliminary consideration on fashion in late 15th century Valseriana
Alessio Francesco Palmieri-Marinoni
Giacomo Borlone de’ Buschis. A preliminary consideration on fashion in late 15th century Valseriana
Alessio Francesco Palmieri-Marinoni
The fifteenth century in Valseriana. The figures in the sacred and profane repertory of Borlone’s frescoes
Patrizia Iorio
Clothes, fabric and colours in Lucrezia Borgia d’Este’s wardrobe
Elisabetta Bazzani
Clothes, fabric and colours in Lucrezia Borgia d’Este’s wardrobe
Elisabetta Bazzani
The fifteenth century in Valseriana. The figures in the sacred and profane repertory of Borlone’s frescoes
Patrizia Iorio
Tessuti tinti a riserva dell’Egitto romano e bizantino
Roberta Cortopassi
Un corso nuovo per una professione nuova
Thessy Schoenholzer Nichols
La Fondazione Lisio
Fidalma Lisio
La seta «dei grifoni araldici»
Laura D'Adamo
I tessili dell’avvenire
Aurora Fiorentini
Dall’utile al dilettevole. Abiti da lavoro divenuti capi di moda
Roberto Bonito Fanelli
Falsi merletti della fine del secolo XVIII
Thessy Schoenholzer Nichols
Costumi teatrali progettati all’Istituto Statale d’Arte “G. Chierici” di Reggio Emilia
‘Young Artists/Artisans in Their Own Words’
Lisa Fontana
Young Artists/Artisans in Their Own Words
Elena Sueri
A Life Woven of Multicoloured Threads: Angela Giordano’s Fifty Years of Successes
Sofia Brezzi
Teaching Activities at the Opificio delle Pietre Dure: Restoration of Three Fondazione Arte della Seta Lisio Fabrics on Cardboard Backings
Sara Bonadio, Elena Gualandris, Jasmine Sartor, Elisa Zonta
Eighteenth-Century Sicilian Fans. The Duke of Cesarò’s Unpublished Inventory of 1740
Elvira D'Amico
Conserving the Ephemeral. Restoration of a 19th-Century Theatrical Crown
Lucia Miazzo
The ‘Leoni’ Velvet
Paola Marabelli
A ‘Lion’ in Legnano. A Rare Example of a Lisio Fabric at the Palio
Alessio Francesco Palmieri-Marinoni
In Memory of Doretta Davanzo Poli
Paola D'Alena
To Doretta Davanzo Poli: A Tribute
Stefano Franzo
Ribbons and Cords. The Tangled Threads of a Hybrid Technique, or Card Weaving According to Arnold Van Gennep and André Leroi-Gourhan
Flavia Carraro
Fiamma Viva and the 1920s: Fashion and Ideological Contaminations for Young Christian Women
Raffaella Calgaro
The Collection of Henry of Bourbon-Parma, Count of Bardi (1851-1905). Chinese Textiles at the Museo delle Civiltà of Rome
Filippo Comisi
In Memory of Maria Teresa Binaghi Olivari
Magda Tassinari
As Gentle as a Remembered Breeze. The Restoration of a 19th-Century Silk Shade
Simona Lombardi
The Story of an Elf. Ilene Alciati, Marionette-Maker
Anna Maria Colombo
Little Bags by Ornella Ottolenghi. The Discreet Allure of the Elegant Accessory
Irina Inguanotto
The Bonardi-Tucci Collection of Sino-Tibetan Carpets at the Museo delle Civiltà of Rome
Filippo Comisi
#Carpet#Tibet#History of Textile#19th Century#Craftsmanship#Textile Fibers#Weaving#20th century#Orientalism#Textile Collection#History#Sino-Tibetan Carpets#Museo Nazionale d'Arte Orientale#Filippo Comisi#Bonardi-Tucci Collection#Francesca Bonardi#Tibetan textile art#History of the Chinese carpet#Tibetan carpet#Jacquard87
Messages in Cloth. 17th- and 18th-Century Commercial Letters with Textile Swatches in the State Archives of Modena
Elisabetta Bazzani
1971 – 2021 The Fondazione Arte della Seta Lisio at Fifty
Paola Marabelli
Previous reconstruction projects from antiquity. Study, research, design, creation
Paola Marabelli
#Restoration#Velvet#History of Textile#18th century#Craftsmanship#Fondazione Arte della Seta Lisio#Silk#Textile Fibers#Weaving#Vestment#Embroidery#Devotional Art#Textile Collection#History#History of a project#Drap D'Or#Historical recostruction of fabrics#Dresden#Dresden Royal Palace#Manifacture#Museum#Conservation#Paola Marabelli#Palazzo Madama#Madonna di Tirano#Cope of Saint Ubaldo#Jacquard88
Technical aspects for the reconstruction of a hand-woven silk velvet and cloth of gold
Eva Basile
2015 – 2021. Diary of a “journey” for the reconstruction of fabrics destined for Dresden, the “Florence on the Elbe River”
Sabine Pretsch
A textile monument created for Augustus the Strong, the “Sun King of Saxony”, returns to the Dresden Royal Palace (Residenzschloss)
Sabine Schneider
10€
From Leaf Stomata to Digitally Woven Cloth
Julie Holyoke
The depiction of textiles in the baronial hall of Manta Castle: models and execution techniques
Gian Luca Bovenzi, Bernardo Odezo Gabrieli
Val di Susa, not only high speed trains: the rediscovery of late-Antiquity and Medieval relic wrappings
Anna Maria Colombo
Un damasco mediceo
Mary Westerman Bulgarella
Weaving with Cyborgs and Other Journeys, an interview with Ruth Scheuing
Julie Holyoke
Return to the future: from collecting textile to new design
Alessandra Caputo
The fan: passion and private collecting today
Simona Lombardi
Venetian faschion designer Franca Polacc and her work with Elda Cecchele
Irina Inguanotto
Chinese embroidery: schools, styles, techniques and stitches
Elettra Casarin
Painting and embroidery in liturgical vestments. Ancient skills revived in Cremona
Cardinale Giovanni Lajolo, Cristian Minuti e Tobia Beati
Silvia Beccaria: weaving between the visible and invisible
Anna Maria Colombo
Unusual painted fabrics: “succhi d’erba”
Simona Lombardi e Lucetta Lucarelli
Tapestries: magnifi cent structures
Laura Bertuzzi e Simona Lombardi
Vestments belonging to the Church of San Pietro di Rovereto (Genoa)
Alessandra Molinari
Paisley fantasies on jute canvas: the art of Lucia Buono
Anna Maria Colombo
Parallel lives. Attiliana Argentieri between history and Fiber- Art
Pierfrancesco Busetto
The American flag, past and present
Adele Olivieri e Simona Lombardi
La ferme: the story of an embroidery thought to be an engraving
Simona Lombardi e Martina Panuccio
The Museum of the Sanctuary in Savona and its textile collection displays
Magda Tassinari
The “Pigna” velvet
Paola Marabelli
Two new reconstructions of historical gowns on show in Bergamo
Mara Bertoli
“Textiles in literature”. Moll Flanders steals Holland, lace and brocade
Anna Maria Colombo
“Unusual”. Protection from the glare of the fire: the textile écrans à main
Anna Maria Colombo e Elisabetta Salzotti
Atelje 61. Woven tapestry art from Serbia
Ulrikka Mokdad
Aemilia Ars needle lace today. Not just a pastime, but a profession
Francesca Bencivenni
Knitwear as Design: Reconsidering the Vanguards. Personal and Teaching Experience
Silvana Musella Guida
From embroidery to finished gown. Notes from collections designed by Franca Polacco
Irina Inguanotto
An Indo-Portuguese Quilt dating to circa 1630
Maria Daniela Lunghi e Claudia Santamaria
Textiles in Literature. Savelich and the List of the Master’s Possessions
Anna Maria Colombo
Elegance Overhead: a 19th Century Parasol
Adele Olivieri, Lucetta Lucarelli, Simona Lombardi
Mourning Becomes Luxury. A Method for Consolidation of a Neoclassical Gown in Tulle and Stylistic Reconstruction of Its Underdress
Giusy Cusimano
The Theatrical Costumes of the Brothers Braccio and Ottaviano Compagni
Valentina Baldi
The Gianoli Merchants in Milan and the Campertogno Émigrés
Flavia Fiori
Sunday wood engraver and accidental weaver
Luigi Golin
My colours, my emotions and my memories. Recounting and transmitting emotions through weft and warp
Gabriella Bottaru
A further note: the restoration of the banner of the musical band of Quiesa
Simona Lombardi
Cheong-sam. A lady’s court robe
Maria Daniela Lunghi
Shu Brocade and its Museum: The Shu Brocade and Embroidery Museum, 成都蜀 锦织绣博物馆”
Filippo Comisi
The Our Lady of Sorrows in the Cathedral of Trento: clothes made by the workshop of Rinaldo Martini
Alice Simoncini
The striped fabric of Jacopone da Todi: cloth of the Devil or cloth of Christ?
Luciano Ghersi
Archaeological textiles: knowledge and knowhow. An ethnographic exploration of a high-density nano world
Flavia Carraro
Research goes on. Experimenting with forms, colours and pleasure
Maria Luisa Malerba
Weaving Words. A new artwork by Silvia Beccaria
Camilla Merletti e Anna Maria Colombo
Marjolein Dallinga’s Sculptures in Felt. The Museo del Tessuto di Prato celebrates contemporary art
Ilenia Vecchio
TessArt’è: Two Years of Intense, Absorbing Work. The project, the training course and the itinerant exhibition
Erika D’Arcangelo
On writing: the penwiper, an everyday object
Simona Lombardi e Lucetta Lucarell
The Art of Embroidery at the Service of the Virgin Mary
M. Anna Maria Cànopi osb
Painting and Chasing with Needle and Thread. Ancient arts, eternally new
Cristian Minuti
The Opulent Mantle Donated by the People of Valtellina to the Madonna of Tirano
Gianluigi Garbellini
Lyon-Florence. Silk Production by the ‘Manufacture Peyron’ for the Royal Court at Palazzo Pitti
Gioele Tinnirello
Benozzo Gozzoli and Florentine Silk Production in the Second Half of the Fifteenth Century
Cristina Borgioli
Ties by Arte della Seta Lisio
Paola Marabelli
Through Others’ Eyes. When Fashion Turns Ridiculous
Anna Maria Colombo
Disciplina tua, ipsa me docebit. The Compagnia di San Benedetto Bianco in Florence
Simona Lombardi
Study and Restoration of the Wig of a ‘Dressed Mannequin’
Giusy Cusimano
The Tapestries for the XI Milan Triennale (1957). The Best Years of the Manufactory of Esino Lario
Maria Taboga
The Textile Section of the Museum of Commodities Sciences of the La Sapienza University of Rome
Malgorzata Biniecka, Patrizia Falconi, Raffaella Preti
Mauro Molinari. Orditi & Trame. Warps & Wefts in ‘Paper Fabrics’
Paola Marabelli
Conversation on San Giulio Island – Lake Orta: Miao Textiles and Clothing
Flavia Fiori
‘Implosive’ and ‘Explosive’ Models for an Analysis of the Work of Anita Pittoni. Part I. The ‘Implosive’ Models
Paola Giuntoli
The Robes of the Unknown Confraternity of the Madonna of the Rosary of the Church of Santa Caterina in Palermo
Elvira D’Amico
The 1831 Canuts Revolt in Lyon. The Art of Silk Weaving, the Workers’ Movement and Representation of Labour
Sandro Scarrocchia
‘In the Artist’s Words’ - ‘Emotional’ Sculptures in Felt
Sanja Spasic
Maria Lai. Interweavings of Threads and Stories
Ilenia Vecchio
A World on Their Shoulders . . . and Heads!
Simona Lombardi
Solace: Devotional Images in Oleographic Print Fabrics
Simona Lombardi
An Elegant 19th-Century Chapel and its Textiles
Anna Maria Colombo
Flemish-Iberian Weaving. 15th- and 16th-Century Painted Velvets in Sardinia, the Iberian Peninsula and Flanders
Clara Carta
‘Implosive’ and ‘Explosive’ Models for an Analysis of the Work of Anita Pittoni. Part II. The ‘Explosive’ Models, a Rereading of the Futurist and Constructivist Influences in the Work of Anita Pittoni
Paola Giuntoli
"Textiles in Literature" - Sailcloth on Board the Florence
Anna Maria Colombo
Pack Your Trunks – We’re Off!
Simona Lombardi e Lucetta Lucarelli
‘Medicea’ – A Dress for Fondazione Lisio
Sara Paci Piccolo
The ‘Mediceo’ Velvet
Paola Marabelli
Embroideries from the Land of Roses. Bulgarian Fabrics and Embroideries in a Private Collection in Genoa
Maria Daniela Lungh
Pittura e cesello ad ago. Antiche arti eternamente nuove
Cristian Minuti
Vite parallele. Attiliana Argentieri tra storia e Fiber-art
Pierfrancesco Busetto
La Contrada Sovrana dell’Istrice e l’Arte della Seta Lisio. Una collaborazione dal 1927
Paola Marabelli
Il simulacro della Madonna di Cireggio (Verbania)
Laboratorio di Restauro Tessili Antichi dell’Abbazia Benedettina “Mater Ecclesiæ” dell’Isola San Giulio a Orta
The last known industrial village: the Lisio silkmill at Ponte Ema
Cristiana Torti
La collaborazione di Elda Cecchele con Salvatore Ferragamo 1954-1956
Irina Inguanotto
Il bisso marino: alla ricerca di un materiale perduto
Felicitas Maeder e Marcel Halbeisen
Melchion Briosco ricamatore milanese
Bice Diana Montalto
Conferenza alle ex alunne del Sacro Cuore
Fidalma Lisio
Fatti di politica e di moda nel “Giornale dei sarti” e nel “Corriere delle dame”
Stefano Franzo
Dal tessuto di moda al pamento liturgico
Carla Cavelli Traverso
Buratti frangiati bianco-rossi nei corredi della Carnia
Maria Mansi
Mario Puliti e il laboratorio di tessitura dell’Istituto Statale d’Arte di Firenze
Annarita Caputo
Oggetti siciliani lavorati a maglia del periodo neoclassico
Elvira D’Amico
La tessitura a Bolandu e a Shahr-i Sokhta: il presente e il passato dell’Iran
Francesca Gandolfo
Orientalism and Fashion in the Empire Period: an embroidered scarf from Genoa’s Textile Collections
Loredana Pessa e Claudia Santamaria
